ACN Intern Maria Cardona discusses her "Know Violence, No Violence" series

Images from Maria Cardona's graphic art series "Know Violence, No Violence" are currently circulating on campus plasma screens. We wanted to hear about what inspired Maria, an ACN intern, to address the many ways we encounter violence, including issues of race and stereotyping, using graphic media.

ACN: What inspired you to create the "Know Violence. No Violence" series?

Maria Cardona: There are multiple factors that went into the creation of the Know Violence, No Violence series. The first was artist Traci Molloy's visit to Ashland in October. Her artwork really showed me the impact that images can have and how art can be used as a way to combat violence and ignorance. 

Aside from Molloy's presentation, the idea of microagressions and racism played a huge role in the series. I wanted to represent the harsh stereotypes people of various races have to deal with on a daily basis and how these stereotypes dehumanize people into caricatures of who they really are. Sometimes stereotypes and generalizations make us miss the opportunity to really get to know people for who they are and not who they are "supposed" to be. As a minority, it is such a struggle to debunk these stereotypes, because sometimes we get so caught up in not being a stereotype that we can't really show every part of who we are. 

Other than race, mental violence also helped me to create this series and to focus on the idea that violence isn't always physical or perpetrated by someone else. Mental health issues, especially anxiety and depression, inspired me to show the inner war many of us fight daily with our own selves. We don't think of these attacks on ourselves as violence but the long-lasting effects they leave on us and our self-esteem are proof that it is a type of violence--and that it is important for us to recognize it as this in order to combat it. 

The final element that inspired me to create the series was the massive issue of rape. After reading the play "I Dream Before I Take the Stand" by Arlene Hutton, I was frustrated by how widespread victim-blaming is in this play and how ten years after this play was written our society seems to continue to hold the same beliefs. Reading this amazing play was what really inspired me to do something against victim-blaming and show that instead of silencing victims, we need to encourage them to seek help and justice.

Identities: Murderer

By Emily Wirtz

Every one of us has an identity. Every one of us also has an ethnicity, a race, a gender, a class, and a past. How we choose to identify ourselves may or may not be one of those categories. Unfortunately, all too often a stereotype arises from something that makes us who we are. Our race becomes our label, or our gender, sexuality, class, etc. and those labels become how we are identified—not how we identify ourselves. All too often a black man is perceived to have a gun in his pocket instead of a checkbook. A woman dressed in old sweats is perceived to have a food stamps card instead of a teaching license. A man on the streets is seen as a lazy addict instead of a man with a Ph.D. and a family to feed.

On October 8, visiting artist Traci Molloy spoke in the Ridenour lecture hall—and she filled the house. As her presentation went on, it was clear that the information she was sharing with us was a powerful message she shared through her art. She considers herself as much a social activist as an artist, and I would have to agree. One of the first pieces she shared was a series entitled “Kids that Kill Kids.”

 

From this series came a variety of portraits and overlapping text. One piece that stood out to me in particular was one named “Missed/Dismissed.” Its display contains a series of mugshot-style portraits of both victims and perpetrators on death row. Each portrait is equally whitewashed, and the text plaques on either side are statements made by the mother of a murdered child and by the mother of a child who committed murder. The grief is the same. It is the same humanity captured within the art and the words it speaks.

If we were to look at a portrait of a sad 17-year-old, wouldn’t our immediate thought be of a child? But, if we were to look at the mug shot of a 17-year-old on death row, knowing that he had murdered a child, would we still think of him as a child? Would we have the heart to forgive him or would we condemn him? These are the exact questions that Traci’s art seeks to make us ponder. They aren’t easy questions to answer; how much worse it must be for their mothers! Perhaps this piece deals less with stereotypes and more with morality, but “murderer” and “victim” have become these children’s labels. Those are their identities—she seeks to challenge this. Nothing is black and white. Even the portraits have grey areas.

Emily Wirtz is an ACN Peace Scholar and Intern.